Both form and content appear to be explicitly new and contemporary, yet “ex-temporary” at the same time. Consequently Atom™’s research does not stop here thus managing to convey “Liedgut” into the present. “Wellen und Felder” (“waves and fields”), which directly connects to “Weißes Rauschen”, similarly refers to both scientific models and philosophic/poetic ideas. For Atom™ the phenomenon of “white noise” perfectly served as an analogue expression of the romantic dualism: scientifically defined on the one hand, it is described in a poetic manner, seeking for a more profound meaning on the other. Upon completition of the album Florian Schneider of Kraftwerk contributed a spoken epilogue, commenting the leitmotiv of “Liedgut” in the track called “Weißes Rauschen” (“White Noise”). Being friends and admirers of each others work for a long time, electronic music composer / visual. This research consistently lead him to the post-romantic works of Oskar Sala, Kraftwerk and others, who could be seen as direct heirs of the romantic movement. Big collaboration on the great Raster Noton label. “Liedgut” therefore oscillates between those poles: scientific exercises on Schubert chord progressions, digital waltzes and romantic lyrics. Between Nietzsche, Helmholtz, Schubert and many other guidelines, Atom™ absorbed a universe striving for clarity and simplicity, where science and irrationality, ornament and mathematic purity were the key elements of a (still) oscillating social and mental order. While researching his own past, Atom™ found himself in the Austro-German time, space, thinking and feeling. most recently, nicolai scored the music for alejandro gonzález iñárritu’s latest film, 'the revenant' which was nominated for a golden globe, bafta, and critics choice award.From a contemporary point of view, Atom™’s “Liedgut” may be considered a romantic work. guggenheim museum, the san francisco museum of modern art, the centre pompidou in paris and london’s tate modern. among other venues, he has performed at new york’s solomon r. nicolai has toured extensively as alva noto through europe, asia, south america and the us. his diverse musical projects include remarkable collaborations with ryuichi sakamoto, ryoji ikeda (cyclo.), blixa bargeld and mika vainio. with a strong adherence to reductionism, he leads his sound experiments into the field of electronic music, creating his own code of signs, acoustics and visual symbols. following his participation in important international exhibitions like documenta x and the 49th and 50th venice biennales, nicolai’s works were shown worldwide in extensive solo and group exhibitions.įor his musical output, Carsten Nicolai employs a pseudonym, Alva Noto. influenced by scientific reference systems, nicolai often engages with mathematical patterns, such as grids and codes, as well as error, random and self-organizing structures, and his installations have a minimalistic aesthetic whose elegance and consistency are highly intriguing. he is part of an artist generation who work intensively in the transitional area between music, art and science, seeking to overcome the separation of man’s sensory perceptions by making scientific phenomena like sound and light frequencies perceivable to both eyes and ears. (Ryoji Ikeda + Alva Noto), ANBB (Alva Noto + Blixa Bargeld), Alva Noto + Ryuichi Sakamoto, Anne-James Chaton with Alva Noto + Andy Moor, ø + Noto.Ĭarsten nicolai, born in karl-marx-stadt in 1965, is a german artist and musician based in berlin. Ongoing projects and collaborations include: Noto, Alva Noto, Opto (Opiate + Alva Noto), cyclo. In 2017, NOTON will start working independently again by releasing Alva Noto’s entire back catalogue, and the label is currently planning releases for the future too. a collaboration with RasterMusic began the same year, and by 1999 the two labels had merged into Raster-Noton. a short introductory preface by olaf bender is followed by a keynote interview conducted by berlin publicist max dax that provides an insight into the identity and philosophy of the label heads. In addition to music from well-known and emerging artists, raster also releases books, data carriers, graphics and installation works. the publication source book 1 represents the beginning of a comprehensive and authorized review of the past 20 years of the label raster-noton. NOTON – founded by Carsten Nicolai as a small imprint in 1994 – began its activities in 1996 with the release of noto’s “spin”. Unalloyed, Unlicensed, All Night raster sees itself as an independent artistic platform and would not be imaginable without the diverse engagement of its associated artists.
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